Wednesday, December 5, 2007

Testing the old adage

Since I missed posting the entirety of November I'm trying to figure out if absence truly does make the heart grow fonder. While I'm sorting, I'll mention a couple of things.

My boy is as tough as nails. He has been poked, prodded and analyzed at the age of four more than I ever had by the age of 11. New challenges keep coming up and he keeps bouncing back with a deeply good nature intact. Not only do I love him but he has my utmost respect. To celebrate this, here's a piece I did for my wife a few years ago that also never made it to the website.



Since the last post, I've been trying to sort out new working methods for upcoming sequential work. I've been doing what I'm going to bill sequential "fractures". Hopefully, I'll have some worth posting soon.

I love doing portraits. When you know (or feel you know an individual) in some way it can inform a portrait more than any close likeness ever could. That said, portraitists from days when you could be beheaded also have a large place in my respect category. There are so many concerns about representation and how the person you are doing it for will perceive the piece. I did this image as a commission for a friend. I have only met his wife very briefly on one occasion. He gave me a basic framework of what he wanted. I hope they're both happy with the image.

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